Symposium
Symposium "(Virtual) Presence"
"(Virtual) Presence!? Musical performances in hybrid spaces"
When talking about performing music, the focus is usually set on an audible realization of sonic ideas within a physical space – a concert hall or performance location. However, this physical space has been extended by means of media in various ways on acoustic but also on visual levels, e.g. with the integration of audio recordings, video footage, and real-time implementation of audio-visual processing. With the developments in digital networks and the growing bandwidth for online-streaming, new possibilities opened up to extend concerts and performances to performers and listeners who are no longer necessarily physically present at the concert venue. And since the restrictions imposed by the COVID-19 pandemic at the latest, complete musical performances in virtual space have become a new normal. But what do these new forms and formats mean for performing music and the music performed? What does change for composers, performers – and the audience? How does the very same performance change when being perceived in real, hybrid and virtual space? What does “presence” mean in these different settings?
The interdisciplinary and international Symposium "(Virtual) Presence!? Musical performances in hybrid spaces" will explore these questions and is especially interested in bringing together perspectives of humanities research disciplines such as musicology and theatre studies and artistic positions from composers and performers on the staging of the performance, the aspect of co-creation, the role of music technology, and intended, desired or neglected effects for the audience.
The Symposium will take place on July 17th and 18th , 2024 at FU Berlin, Institute for Theatre Studies, Grunewaldstr. 35, 12165 Berlin.
For Zoom-links please see schedule below. Participation is free of charge. If you participate on Zoom, please sign in with your name.
The Symposium is organised by Prof. Dr. Miriam Akkermann (Ernst-von-Siemens Musikstiftungsprofessur) and students of the MA Music Sound Performance
Download the full program with abstracts and short CVs of all participants here.
Wednesday, July 17th
Symposium (Seminarraum SR1, EG Altbau, Zoom: https://tu-dresden.zoom-x.de/j/63310258665?pwd=bJsIXkRNltS1gWhEoQLa2J8m9yZvx8.1)
14.00 Welcome and Introduction
Miriam Akkermann, Ernst-von-Siemens Musikstiftungsprofessur, FU Berlin
The audience’s perspective
14.30 “Being Together / Alone: Theatre Audiences in Hybrid Performances”
Doris Kolesch, Freie Universität Berlin, Institute of Theatre Studies, Germany
15.15 “The Orpheus Project: Psychological, Aesthetic, and Technical Challenges of Virtual Presence in a Live Concert Setting”
Mats B. Küssner, Department of Musicology and Media Studies at HU Berlin, Christian Stein, Cluster of Excellence Matters of Activity and heads the Object Space Agency, and Till Schwabenbauer, Germany
16.00 Pause
Performing in Hybrid Spaces
16.30 “Hybrid Spaces and Chilean Virtual Voices: Reinterpreting History through Electroacoustic Composition”
Rodrigo F. Cádiz, Music Institute and Department of Electrical Engineering at UC in Santiago, Chile, and
Daniela Fugellie, Institute of Music at the Universidad Alberto Hurtado, Chile
17.15 “Bridging Physical and Virtual Realms: Aesthetics of Audiovisual Immersion in Telematic Composition and Performance”
Cássia Carrascoza Bomfim, Faculty of Philosophy, Sciences and Letters at Ribeirão Preto-University of São Paulo - USP, Brasil, and
Paulo C. Chagas, Professor of Composition at the University of California, Riverside, USA
18.00 “Opaque Technology and Contemporary Network Arts: Artistic and
Technological Strategies”
Juan Parra Cancino, Orpheus Institute, Ghent, Belgium
18.45 Pause
19.30 Concert 1 (Hörsaal, EG Altbau,Zoom: https://tu-dresden.zoom-x.de/j/67199861307?pwd=TM4x4t9eVJQCmXlkSQK2ngIqmhqEYB.1)
Stefan Prins PianoHero #1 (2011-12) for midi-keyboard, live-electronics & video, Performer: Sebastian Berweck
Paulo C. Chagas Virtual Studies #3 and #4 (2020/21) for flute, live-electronics, and 3D video, Performer: Cássia Carrascoza Bomfim, flute, Paulo C. Chagas, video
Paulo C. Chagas & Cássia Carrascoza Bomfim Mojave (2020/21) for flute, live-electronics, and 3D video; Performer: Cássia Carrascoza Bomfim, flute, Paulo C. Chagas, video
Greg Beller Air Sampling #006 (2024) for spatial sampling in VR, Performer: Greg Beller, VR, Eunice Martins, piano
Alexandra Cárdenas Live coding performance, Performer: Alexandra Cárdenas
Thursday, July 18th
Symposium (Seminarraum SR1, EG Altbau, Zoom: https://tu-dresden.zoom-x.de/j/61911262439?pwd=YgXhhnUUc4GamuiSlcW9Jw8sYpKio6.1)
13.45 Doors open
Beyond a bodily presence
14.00 "Virtuality will save us all"
Sebastian Berweck, Berlin, Germany
14.45 "Sonic presences. A performative approach to resonant sounding beings"
Agustín Genoud, Fellow Berliner Künstlerprogramm DAAD
15.30 “Becoming Presence in Live Coding”
Alexandra Cárdenas, Berlin, Germany
16.15 Pause
Reflections
16.45 “Playing Loud: In-game Concerts and Digital Music Performance”
Karina Moritzen, University of Oldenburg, Germany
17.30 "Everything, Everywhere, All at Once - The Conundrum of Hybrid Music Performance"
Georg Hajdu, Ligeti center - HfMT Hamburg, Germany
18.15 Sum Up and Outro
Miriam Akkermann
18.45 Pause
19.30 Concert 2 (Hörsaal, EG Altbau,https://tu-dresden.zoom-x.de/j/66838962448?pwd=0yN4cPA8TzMjBd3ZNwQ1TAzzLFPG0b.1)
Studierende des MA Music Sound Performance Reality Chat (2024), Performer: Joëlle Balan, Eli Vardzhiyska, Theresa Osburg, Benjamin Skorov, Max Tönshoff
Juan Parra Cancino Artifacts of not-here, networked performance, Performer: Juan Parra Cancino (networked electronics), Jonathan Impett (networked trumpet), Chris Chafe (networked celleto) and Brice Soniano (networked double bass)
Rodrigo F. Cádiz Vox Populi (2023), 8-ch fixed media piece
Agustín Genoud Devoiced, performance, Performer: Agustín Genoud
Schlagwörter
- Virtual presence, Music performance, hybrid spaces