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Global Ibsen. Performing Multiple Modernities

Global Ibsen

Global Ibsen

Erika Fischer-Lichte, Barbara Gronau (Hgg.) – 2011

Ibsen's plays rank among those most frequently performed world-wide, rivaled only by Brecht, Chekhov, Shakespeare, and the Greek tragedies. By the time Ibsen died in 1906, his plays had already conquered the theaters of the Western world. Inviting rapturous praise as well as fierce controversy, they were performed in Europe, North America, and Australia, contributing greatly to the theater, culture, and social life of these continents. Soon after Ibsen's death, his plays entered the stages of East Asia - Japan, China, Korea - as well as Africa and Latin America. But while there exist countless studies on Ibsen the dramatist and the significance of his plays within different cultures written mainly by literary scholars, none of them examine the ways in which Ibsen's plays were performed, or the impact of such performances on the theater, social life, and politics of these cultures. In "Global Ibsen", contributors look at the way performances of Ibsen's plays address problems typical to modern societies all over the world, including: the inferior social status of women, the decay of bourgeois family life and values, religious fundamentalism, industrial pollution and corporate cover-up, and/or the loss of and search for identity.

Titel
Global Ibsen
Verfasser
Erika Fischer-Lichte, Barbara Gronau (Hgg.)
Verlag
Routledge Chapman & Hall
Datum
2011
Kennung
ISBN: 978-0415877138
Sprache
eng
Größe oder Länge
279 Seiten