Publications by Staff

Stefan Donath

Monograph:

Articles:

  • “‘To Connect with an Energy of Love’ - with Daha-Wassa a Promising New Theater Company Enters the International Stage” (April 2017), in Textures – Online Platform for Interweaving Performance Cultures, URL: http://www.textures-platform.com/?p=4678
  • “At the Crossroads of History and Cultural Debate.” Notes of a Traveller and Conference Participant of Performing Tangier 2016 (March 2017), in Textures – Online Platform for Interweaving Performance Cultures, URL: http://www.textures-platform.com/?p=4608
  • “Listening to ‘Indigenous Voices’ in Berlin.” An email-interview with Jacqueline Shea Murphy (October 2016), in Textures – Online Platform for Interweaving Performance Cultures, URL: http://www.textures-platform.com/?p=4502
  • “Let’s talk about Beuys!” - Interview with Barbara Gronau [University of the Arts, Berlin] on the enduring relevance of one of the most famous German artists (October 2015), in the context of the exhibition “BEUYS, BEUYS, BEUYS,” Contemporary by Golconda (15 Oct - 19 Dec 2015), Tel Aviv, Israel, URL: http://beuys.co.il/lets-talk-about-beuys/
  • “Gizli Olanın G.rünürlüğü: Protestolarda Guy Fawkes Maskesi,” in Kerem Karaboğa, Oğuz Arıcı (eds.), Maske Kitabı, Istanbul 2014, pp. 193-206.
  • “The Visibility of the Hidden: The Guy Fawkes Mask in Times of Protest,” in Kerem Karaboğa, Oğuz Arıcı (eds.), Maske Kitabı, Istanbul 2014, pp. 328-340.
  • “Warum das Wertvolle so wertvoll ist,” in MERKUR. Zeitschrift für europäisches Denken, Vol. 60, Issue 2, Feb 2006, pp. 187-189.

Gerko Egert

Monograph:

Edited Collections:

Articles:

  • “Movements of Touch in MAYBE FOREVER,” in G. Brandstetter, G. Egert and S. Zubarik (eds.) Touching and to be Touched. Kinesthesia and Empathy in Dance and Movement, Berlin/New York: De Gruyter, 2013.
  • “Introduction,” co-authored with G. Brandstetter and S. Zubarik, in G. Brandstetter, G. Egert and S. Zubarik (eds.) Touching and to be Touched. Kinesthesia and Empathy in Dance and Movement, Berlin/New York: De Gruyter, 2013.
  • “Az érintés mozdulatai: Maybe Forever,” in Á. Czirák (ed.) Kortárs táncelméletek [Diskurse des zeitgenössischen Tanzes], Budapest: Kijárat Kiadó, 2013, pp. 321–347 [Hungarian translation of “Berührungsbewegungen in MAYBE FOREVER” by Beatrix Kricsfalusi].
  • “Mickeys Reise durch Wasteland – Animal, Animation, Animismus,” co-authored with J. Bee, in J. Ullrich (ed.) Tierstudien Nr. 2, Berlin: Neofelis, 2012, pp. 37–45.
  • “De-scribing Site-specifiCITY: Emily Jacir and Jacques Villeglé,” co-authored with H. Hartung, in K. Amine and G. F. Roberson (eds.) Site-Specific Performance in Arabo-Islamic Contexts, Tétouan: Faculty of Letters and Humanities, 2011, pp. 39–52.
  • “Praktiken der Nichtmännlichkeit – Prekär-Werden Männlicher Herrschaft im ländlichen Brandenburg,” co-authored with H. Hagen, O. Powalla and S. Trinkaus, in A. Manske and K. Pühl (eds.) Prekarisierung zwischen Anomie und Normalisierung. Geschlechtertheoretische Bestimmungen, Münster: Westfälisches Dampfboot, 2010, pp. 186–209.

 

Holger Hartung

Articles:

  • “Cuidado con el hueco: la instalación Shibboleth de Doris Salcedo,” in G. A. Alzate and P. Marín (eds.) Karpa Journal , vol 4, no. 1–2, 2011, URL: www.calstatela.edu/misc/karpa//Karpa4.2/Site%20Folder/holger.html.
  • “De-Scribing Site-specifiCITY: Emily Jacir and Jacques Villeglé,” co-authored with G. Egert, in K. Amine and G. F. Roberson (eds.) Site-Specific Performance in Arabo-Islamic Contexts, Faculty of Letter and Humanities, Tétouan, Faculty of Letters and Humanities, 2011, pp. 39–52.
  • “Cuepro entre [REC] y [PLAY]: sobre la estética del cine y el vídeo en Replacement de Meg Stuart,” in J. A. Sánchez (ed.) Cuerpo y Cinematografía / Body and Cinematography (= Cairon 11, Revista de estudios de danza / Journal of Dance Studies), Universidad de Alcalá, 2008, pp. 15–26.
  • “The Body between [REC] and [PLAY] – On the aesthetics of film and video in Meg Stuart’s Replacement,” in J. A. Sánchez (ed.)Cuerpo y Cinematografía / Body and Cinematography (= Cairon 11, Revista de estudios de danza / Journal of Dance Studies), Universidad de Alcalá, 2008, pp. 243–249.

 

Torsten Jost

Monograph:

Edited Collections:

Articles:

  • “Analyse der Aufführung. Über die Pluralität der Perspektiven,” in E. Fischer-Lichte, A. Czirak, F. Richarz and N. Tecklenburg (eds.) Die Aufführung. Diskurs – Macht – Analyse, München: Wilhelm Fink 2012, pp. 245–252.
  • “Spielend zwischen Kunst und Leben. Zur Frage des Selbst in Texten und Porträtfotografien von Gertrude Stein,” co-authored with M. Weiß, in G. Gebauer, E. König and J. Volbers (eds.) Selbst-Reflexionen. Performative Perspektiven, München: Wilhelm Fink 2011, pp. 249–264.
  • “Zum Zusammenspiel von Medialität und Performativität. Oder: Warum noch Hoffnung für das Theater besteht,” in K. W. Hempfer and J. Volbers (eds.) Theorien des Performativen. Sprache – Wissen – Praxis. Eine kritische Bestandsaufnahme, Bielefeld: Transcript, 2011, pp. 97–114.

 

Antje Paul (née Böhme)

Monograph:

 

Florian Thamer

Edited Collections:

Articles:

  • “Eine Frage der -STELLUNG – Ergänzungen zum Theater der Sorge als zeitgemäße Lehrstückpraxis,” in: F. Vaßen and M. Massalongo (eds.) „…Texte, die auf Geschichte warten” – Brechts Lehrstücke im deutsch-italienischen Dialog, Tagungsband Villa Vigoni, Lingener Theaterreihe 2016.
  • “Krieg (Einleitung),” in M. Naumann and F. Thamer (eds.) Krieg. Mülheimer Fatzerbücher 4, Berlin: Neofelis 2016, pp. 7-13 (togehter with Matthias Naumann).
  • “I is for IMAGINE,” in M. Zaroulia and P. Hager (eds.) Acts of Voting: A Lexicon. Contemporary Theatre Review, Vol. 25, Issue 2, London: Routledge 2015.
  • “Performing Politics of Care. Theatrical Practices of Radical Learning as a Weapon Against the Spectre of Fatalism,” in P. Hager and M. Zaroulia (eds.) Inside / Outside Europe: Performances of Crisis, Capitalism and Resistance.  London: Palgrave Macmillan 2015, pp. 77-93 (togehter with Tina Turnheim).
  • “THEATER DER SORGE. Politisch Politisches Theater machen,” in M. Naumann and M. Zimmermann (eds.) In Gemeinschaft und als Einzelne_r. Mülheimer Fatzerbücher 3. Berlin: Neofelis 2014, pp. 181-200 (togehter with Tina Turnheim).
  • “Show You’re Not Afraid. Go Shopping!” in A. Budde (ed.) Fiebach – Theater. Wissen. Machen. Recherchen 114, Berlin: Theater der Zeit 2014, pp. 90-106 (togehter with Tina Turnheim).
  • “The Exodus leads into the Theatre. ” In theatrama:Curtain Call: Political Theatre, vol. 1, 2013, pp. 19-28 (together with Tina Turnheim).
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