The Legitimacy and Illegitimacy of the Modern Age: Shakespeare and the Politics of Immanence.
(Habilitationsschrift) 

Postcolonial Modernism and the Picaresque Novel: Literatures of Precarity (Basingstoke: Palgrave Macmillan, 2017)

Realism: Aesthetics, Experiments, Politics (London: Bloomsbury, 2022).

(mit Kai Wiegandt) ,,Canonization in Times of Globalization and Digitization," in Anglistik 31.2 (2020), 11-68. (Sektionsherausgeberschaft)

The Enigma of the Picaresque / Das Enigma des Pikaresken (Heidelberg: Winter, 2018).

(mit Annika McPherson) ,,Multiple Modernities/Multiple Modernisms," in 22. Proceedings Anglistentag Paderborn 2015 (Trier: WVT, 2016), 171-243. (Sektionsherausgeberschaft)

(mit Zuzanna Jakubowski, Lore Knapp, Stefanie Orphal, Heidrun Schnitzler) Möglichkeiten und Grenzen der Philologie. Philologische Forschung in internationaler Perspektive. Dokumentenserver GiNDok 2011.

(mit Russell West-Pavlov) Australian Literature in German Translation: A Catalogue of Titles, Translators, and Trends 1789-2010 (Freie Universität Berlin: Institut für Englische Philologie, 2010)

Kapitel und Zeitschriftenartikel

„From Social Mapping to Urban Assemblage: Thomas Middleton's A Chaste Maid in Cheapside and the End(s) of City Comedy" (zur Begutachtung eingereicht bei Comparative Drama)

„Reproductive Measures: Calculating Power in Shakespeare's Measure for Measure" (in Überarbeitung für Studies in English Literature, 1500-1900).

„Assemblage, Worldmaking, Commonwealth: Reading for Infrastructure in Mohsin Hamid's Exit West," Contemporary Literature 64.4 (2024): 473-498.

,,lntroduction: Realism, Political Aesthetics, and (New) Materialism," in Realism: Aesthetics, Experiments, Politics, hrsg. Jens Elze (London: Bloomsbury,·2022), 1-26.

„Geld stinkt nicht: Lazarillo de Tormes als (utopisches) Finanznarrativ," in Finanznarrative als Krisennarrative: Literarische und filmische Modellierungen ,kapitaler' Erschütterungen, hrsg. Kurt Hahn & Marita Liebermann (Frankfurt: Peter Lang, 2021), 49-65.

„Imperial Representations - Romantic Dis/Enchantments - Modernist Aesthetics: Joseph Conrad's Lord Jim and the Lives of Adventure," in The Pleasures of Peril: Rereading Anglophone

Adventure Fiction, Then and Now, hrsg. Tobias Döring, Kathrin Härtl & Martina Kühler (Tübingen:. Narr/Francke, 2021), 237-258.

(mit Kai Wiegandt) ,,lntroduction: Canonization in Times of Globalisation and Digitisation," in Anglistik: International Journal of English Studies 31.2 (2020), 11-18.

,,William Dalrymple, Selected Works (1989,1997)," in Handbook of British Travel Writing, hrsg. Barbara Schaff (Berlin: De Gruyter, 2020), 535-554.

„Virile Maturity, Female Linearity, and the Transformation of the Picaresque Novel: Tobias Smollett's Roderick Random and Daniel Defoe's Moll Flanders," in Transgression and Subversion: Gender in the Picaresque Novel, hrsg. Maren Lickhardt, Gregor Schuhen & Hans Rudolf Velten (Bielefeld: Transcript, 2018), 201-217.

„Postcolonial Theory and Globalized Empathy: From Development to Difference," Journal for Interdiscipinary Studies. 43.2 (2018), 1-11.)

,,Narrative Modes of the Global South: the Picaresque," in The Global South and Literature, hrsg. Russen West-Pavlov (Cambridge: Cambridge University Press, 2018), 223-34

„Diebstahl, Koloniale Expansion und die Möglichkeit des Romans: Defoes Moll Flanders und Dickens' Great Expectations," in Diebstahl! Zur Kulturgeschichte eines Gründungsmythos, hrsg. Andreas Gehrlach & Dorothee Kimmich. (München: Fink, 2018), 159-78.

,,lntroduction: Enigmas of the Picaresque," in The Enigma of the Picaresque, hrsg. Jens Elze. (Heidelberg: Winter, 2018), 9-27.

„Sincerity, Authenticity, and Criminality: Moll Flanders and the Enigmatic Signifier," in The Enigma of the Picaresque, hrsg. Jens Elze (Heidelberg: Winter, 2018), 69-87.

,,Cosmopolitan Space, Postcolonial Time, and the Politic of Modernism in Teju Cole's Open City," Zeitschrift für Anglistik und Amerikanistik 65.1 (2017), 85-104.

(mit Annika McPherson) ,,Multiple Modernities/Multiple Modernisms," in Proceedings Anglistentag Paderborn 2015, hrsg. Christoph Ehland etal. (Trier: WVT, 2016), 71-76.                                                                                          

„Contained Immanence: Shakespeare's Timon of Athens between Tragedy and Romance," Anglia 134.1 (2016): 1-24.     

,,Postkoloniale Pikareske," Zeitschrift für Literaturwissenschaft und Linguistik 43.2 (2015): 130- 49.

,,Deixis and Performativity in Salman Rushdie's Midnight's Children," in Border Crossings: Narrative and Demarcation in Postcolonial literatures and Media, hrsg. Russen West-Pavlov & Jennifer Wawrzinek. Heidelberg: Winter, 2012), 269-78.

„Einleitung," in Möglichkeiten und Grenzen der Philologie. Philologische Forschung in internationaler Perspektive, hrsg. Jens Elze et al. GiNDok 2011.

(mit Russell West-Pavlov) ,,Translation History as a Provocation for Literary Studies. A Case Study on the Translation of Australian Literature into German," Anglistik. International Journal of English Studies 21. 1 (2011): 189-204.

 „Precarity and the Picaresque: An Exemplary Reading of Ben Okri's The Famished Raad," in Negotiating Afropolitanism: Critical Rejlections on Borders and Spaces in Contemporary African Literature, hrsg. Justus Siboe Makhoka & Jennifer Wawrzinek (Amsterdam: Rodopi, 2011), 47-61.

„Urbanidad, Espacio y Movimiento en Horacio Castellanos Mayas Donde no esten ustedes, La diabla en el espejo y EI arma en el hombre," Revista Cultura 101 (2009): 88-96.

Rezensionen

„lsabell Karremann (ed.). Shakespeare/ Space: Contemporary Readings in Spatiality, Culture, and Drama (2024)" (erscheint im Shakespeare-Jahrbuch 2025)

,,Marion Gymnich et al. (eds). Representing Poverty and Precarity in a Postcolonial World (2021)," Anglia 142.2 (2024): 405-9'.

,,Bernhard Malkmus. The German Pícaro and Modernity. Between Shapeshifter and Underdog," The German Quarterly 86.1 (2014): 109-10.