Valeska Gert and her Afterlives. FU Berlin / AdK / DAAD: Celebrating 20 years of the Valeska Gert Professorship
Tuesdays, 4pm-6pm c.t.
Hörsaal
Institut für Theaterwissenschaft
Freie Universität Berlin
Grunewaldstr. 35
12165 Berlin
Political dissident, cabaret performer, movie star, club owner, provocateur, a Jewish refugee in exile, experimental performance artist, and late-in-life tv actress: Valeska Gert survived two world wars and thrived on two continents as an artist who could not be categorized. A true renegade, Gert produced a body of work that transgressed every border and boundary of the performing and time-based arts and irreverently interpenetrated the so-called “low” and “high” artworlds. This lecture series, curated by Lindsey Drury and Lucia Ruprecht, takes the 20th anniversary of the Valeska Gert Guest Professorship as occasion to celebrate Gert’s contributions to dance, film, performance art, experimental theatre, sound art, Dadaism, queer and feminist cultures, and activism. A line-up of Critical Dance Studies faculty and international guest speakers discuss Gert’s significance in the context of Weimar dance, her position during the years of National Socialism, her autobiographical writings, and her anti-authoritarian, queer-feminist work in the arts. The series further connects the university research community with the holdings on Gert in the archive of Berlin’s Akademie der Künste; explores contemporary approaches to Gert’s work by artists such as Jule Flierl and Eszter Salamon; and assesses the impact that Gert has had on historiographical and theoretical commitments in dance scholarship. Together, the lectures will present a state-of-the-art picture of research on one of the most fascinating figures of twentieth-century dance modernism.
|
April 14 |
Opening Event of the Valeska Gert SeasonLucia Ruprecht Valeska Gert and the Afterlife of Gestures |
|
April 21 |
Yvonne Hardt Re-Searching Valeska Gert: Dance Studies‘ methodological challenges and transformations |
|
April 28 |
Lindsey Drury Hexe: Gert as Afterlife |
|
May 5 |
Kate Elswit Valeska Gert's Provocations for Dance Studies |
|
May 12 |
Susanne Foellmer Valeska Gert: Art as critical practice |
| May 19 | No lecture this week. |
|
May 26 |
Paul Flaig From Groteskfilm to Grotesktanz: Valeska Gert between Weimar cinema and American slapstick |
|
June 2 |
Felix Stenger Death is Grotesque: Afterlife as Survival |
|
June 9 |
Christina Thurner Kaleidoscopes of a Dancer’s Life. Valeska Gert’s Autobiographical Writings |
|
June 16 |
Helene Herold Valeska Gert and her Afterlives – The Valeska Gert Archive in the Archive of the Academy of Arts |
|
June 23 |
Kirsten Maar Dis-articulation in Jule Flierls Störlaut and Eszter Salamons Voices and Witches and the Valeska Gert Monument |
|
June 30 |
Jacqueline Davis Disappointing," "Depressing," "Unusual": Valeska Gert in America (1936, 1939-1947) |
|
July 7 |
Susan Manning Mary Wigman and Valeska Gert |
|
July 14 |
Eunice Martins Closing Performance: Diary of a Lost Girl, G.W. Pabst, Germany 1929) with live piano accompaniment |
