READER
READER
Laboratory: Methods of Interart Studies
16-18 November 2009
I. Concept Laboratory: Staging Current Interart-Aesthetics – Theoretical and Artistic Positions
Hannah Abdullah
Boris Groys (2008): Art Power.
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Rikke Platz Cortsen
Assemblage as the basic principle for the structuring of space and time in comics
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Pepita Hesselberth
Hans Ulrich Gumbrecht (2004): Production of presence (Text & Discussion)
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Monika Lilleike
Hawaiian Hula ‘Olapa – Steps towards an interart-aesthetic oriented Performance Analysis
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Gabriel Menotti
Exhibition Design as High-Level Programming
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Nela Milic
Balkanising Taxonomy
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Andrej Mirčev
The liminal space of intermediality
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Elena Papadaki
Performance and performativity in screen-based works of art / Mieke Bal (2004): Setting the stage: the Subject Mise-en-Scène.
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Additional Texts for this Section:
Erika Fischer-Lichte: Interart Aesthetics
II. Concept Laboratory: Metaphors in Aesthetic Theory
Alexandra Antonopoulou / Eleanor Dare
Phi Books: Research territories through narrative. A creative methodology for collaboration and thinking through practice
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Matthew Dennis
Conceptual Crossover: Metaphors in Contemporary Art Criticism
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Anders Engberg-Pedersen
The 'Mapping' Metaphor in Cultural Studies
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Julia Martin
Irit Rogoff (2000): Terra infirma: geography's visual culture / Doreen Massey (2005): For Space.
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Regine Strätling
Nick Zangwill (2001): Metaphor and Realism in Aesthetics
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Kathleen Wilson
Friedrich Nietzsche (1873): On Truth and Lie in a Extra-Moral Sense
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III. Close Reading: Problems of Translation // Classics Revisited
Alice Andrews
Jacques Derrida (1984): No Apocalypse Not Now.
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Jenny Doussan
Giorgio Agamben (2009): What is an Apparaturs?
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Ulla Kallenbach
Paul Ricoeur (1994): Imagination as discourse and action.
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Paolo Plotegher
Georges Bataille: Formless / Nonknowledge, Laughter and Tears.
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Viktoria Volkova
Gender as Plot of Cognition
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Su-Anne Yeo
Gilles Deleuze and Felix Guattari: What is a Minor Literature?
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